THE ERGOT // 

METAMORPHOSIS OF HOSPITALITY AND BLEAKNESS

We are all just the last larvae of the butterfly effect.

Our parents' generation isn’t dead, because “as long as there’s singing, no one has died”. But our generation seems dead – passive, indifferent, unawakened. In a world of revolutions and celebrations of revolutions, we have not learned to be sustainable.

We feel pressure and responsibility to fix problems we did not create, while also experiencing a constant unrest and fear that, should we find peace, we would not know how to survive in it. We do not see our generation’s lethargy as the result of inaction, but rather as an active choice to become something permanent, unnoticed, and constant. Something like a mountain, a landscape itself. The question of whether to stay or leave, and what vision we have for ourselves and the country we inhabit, becomes more complicated by the day – by the undignified treatment between the government and the citizens, and among citizens themselves.

A retreat to nature – because in its helpless and silent scream, in its thoughtful yet unsolvable, deafening silence, one can endure.

The text was read in the Velvet Revolution Square in Bratislava during the Velvet! festival (16 November 2025), performed by actresses Annamária Janeková, Viktória Vadovičová, and Naďa Balacenková.

Note: Ergot is an exceptionally important text for my artistic practice, as it allowed me to discover my own authorial voice, which I wish to continue developing in my future work.

READ THE ERGOT (slovak)

READ THE ERGOT (english)

People dancing outdoors during dusk, with one person in the foreground wearing a white lace dress and three others in the background in various outfits. The image has a high exposure with bright highlights and a blue sky.

CAST:

MOTH // Michaela Cingelová // Annamária Janeková

PEARL // Naďa Balacenková

RAIL // Viktória Vadovičová

 

Written by: Ráchel Rimarčíková

Directing and Dramaturgy team: Ráchel Rimarčíková, Emma Kováčová, Michal Onduš

Set and light design, costumes: Zuzana Slivková

Set design Assistant: Tülin Hagemann

Choreography: Julia Pabst

Sound design: Oleksandr Buhaiev

Music: Richard Hronský

Camera: Ráchel Rimarčíková

Production: Agáta Čechová, Emma Vašková

 

Premiere: December 6, 2024, Theatre LAB.

People dressed in white lace and beige bodysuits, some with masks or head coverings, are performing a pose outdoors against a dark evening sky.

Photography: Tomáš Deák

ASTROFÁNDLY

THE EDGE

I HATE MY GIRLFRIEND

THE BLUE WHALE

BARBER GLITTER SHIT SHOP